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An Evening with Gregory Porter
Jun 5 , 2016 • KNIGHT THEATER at Levine Center for the Arts
- $47.75 - $72.75
Special offer! A digital download of Gregory Porter’s forthcoming album, Take Me To The Alley (available May 6), is included with every ticket you order for this show. To take advantage of this offer, please email [email protected] .
An artist whose music is at once timeless yet utterly of its time, Gregory Porter solidifies his standing as his generation’s most soulful jazz singer-songwriter with the May 6 release of Take Me to the Alley, the much-anticipated follow-up to his million-selling Grammy-winning 2013 Blue Note debut Liquid Spirit. The album pre-order has launched today along with the release of two singles—“Holding On” and “Don’t Lose Your Steam”—which fans will receive instantly when pre-ordering a download of the album. The album is also available for pre-order on CD, and the singles are also available on streaming services.
“Holding On” was premiered yesterday on Apple Music’s Beats 1 and finds Porter presenting his decidedly different version of the Disclosure single that he was the featured vocalist on and co-wrote for their album Caracal. “I decided to do the song the way that Iwould have recorded it on my record,” Porter says. “It’s a way of saying that a song is a song is a song. The lyrics and the intention of the song come through no matter what kind of bells and whistles are going on.” The rousing, bluesy stomp “Don’t Lose Your Steam” is dedicated to Porter’s three-year-old son with encouraging lyrics about staying committed one’s goals regardless of hardship.
In the Fall of 2015 Porter finally found the time to return to the studio in New York City to record Take Me To The Alley. As he’s done on his previous three albums, Porter teamed with producer Kamau Kenyatta to craft a collection of stirring originals that juxtapose the personal and political. His partnership with Kenyatta started in the mid-1990s when he was a student at San Diego State University (Porter began his college years playing football on a full athletic scholarship before a shoulder injury diverted him into a music career). It was through Kenyatta’s mentorship that Porter’s professional musical career began.
Reinforcing their well-honed rapport is the return of Porter’s core accompanying musicians – pianist and music director Chip Crawford, bassist Aaron James, drummer Emanuel Harrold, alto saxophonist Yosuke Sato, and tenor saxophonist Tivon Pennicott. Singer Alicia Olatuja, trumpeter Keyon Harrold, and organist OndrejPivec also make appearances throughout.
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